Emile produces a vast array of work here (27 tracks in total) which is varied in tone but super cohesive; certain cues remind of classic Bernard Herrman. Others, you can hear faint echoes from The Shining by Wendy Carlos, but this is no mere pastiche, Emile’s work is exciting, thoughtful, intense and playful, sometimes within the same cue . A classic score in every sense that can easily hold it’s own with any number of heavy-hitting scores from the 1960’s 1970 s. A genuine delight from start to finish and one that is sure to be high on many end of year lists come December 2020.